I used the Mask tool to slice a portion of the stones, and then the transpose tool to nudge it slightly. I really like the exaggerated cracks, which fit the stylised feel quite nicely. 2 the brow up shape key should be fully on at 1.This is, by no means, my final wall, just a test to see what the overall look will look like. meaning at when z of animator control is at. right click to select second keyframe, set frame to. enter z location since for this example controller moving in z turns on brow blend shape for bone - enter animator control for shape key object - pick rig armature object that has control bone in drivers tab pick ‘Averaged Value’ for Type
split window sliding lower existing window, pick graph editor, change bottom lower next to key to ‘Drivers’ over number in shape key right click ‘add driver’ manually create later single to setup brow up/dn driver for blendshape/shape key (like maya’s set driven key frame) My example was z +.2, -.2 (locked all axis but z in transform panel) M - move animator control widget created to new layer, shift with two layers selected to see both layersįigure out max/min to move animator control to make brow up shape be at 1, brow dn shape at 1,
In pose mode under little bone icon, custom shape choose the created mesh curve In edit mode extrude bones to create a bone in a single axis, deleted unneeded bones afterwords (x).(shift+a was shortcut to add a disconnected bone when in edit mode of armature) If sculpting blend shape do it in edit mode. + icon in ‘upside down triangle object menu’ to add a shape keyĪdd shape key from different object select it then main mesh which has basis shape key and click down arrow join shapes Zbrush export each blend shape layer as obj (be nice to have a zscript that does that) Then here are some tips on making an animator control that gives the sculpted brow pose:
0 kommentar(er)
